| Abstract [eng] |
This Master's project explores the specifics and methodologies of integrating contemporary electronic music production tools into the process of musical production and stage realization. Relevance: the topic of the integration of electronic music production tools into musical theatre is becoming increasingly important and relevant in the contemporary community of art creators and consumers, as it not only considers the rapidly changing and increasing expectations of audiences, but also explores the potential for artistic growth and innovation in relation to the further evolution of the traditional genre. It also has practical implications for the development of the sustainability and accessibility of musical theatre productions - therefore, the analysis of methodologies for the integration of electronic music production tools into the creation and staging of a musical is an important research area. The integration of electronic music elements and standard solutions into musicals can help to make the genre more appealing to contemporary audiences and make the art form of the musical more relevant to their musical tastes and aspirations. The integration of electronic music creation tools allows for the creation of innovative sound structures, new musical genres, and experimental compositions, which can enhance and expand the artistic and creative dimension of musical theatre and encourage the emergence of innovative forms of expression. Musical theatre must adapt to the changing social environment, in order to remain viable and relevant. Research in this field provides valuable insights into the changing dynamics of the musical theatre industry and helps to provide a roadmap for how it can thrive in the digital age. Novelty, scientific issues: as a cross-cutting issue, this topic has not yet received much research. While the individual parts of the process (such as the composition of a musical or the technological aspects of electronic music) are themselves described and analyzed in the academic literature, the processes of combining them remain an area that requires its own research. The object of the study: fusion of classical musical and electronic music, methodology of composing a hybrid type of musical. Aim of the project: to create and stage two types of integrative musicals by combining electronic and live music creation tools. Objectives: 1. To provide an overview of the historical development of the musical as a genre and the principles of composition. 2. To explore the possibilities and possible applications of electronic music production tools in musical theatre. 3. To analyze and systematize the fundamental principles of the creation and staging of a hybrid musical. 4. Write music for two full-scale musicals using different levels of electronic music integration. 5. Realize the performance of written musicals in practice. 6. To review future trends and possible directions of development of the integration of electronic music instruments in the musical. The main results of the project and their areas of application: 2 musicals of different types of integration of electronic music production tools have been composed and implemented, and a methodical course of staging this type of musical works has been formed. Project structure: Introduction, theoretical part (chapters 1 and 2), methodological part (chapters 3 and 4), research and practical part (chapters 5 and 6), conclusions and recommendations, list of references, list of information sources, appendices. |
